This is site is the new home for my blog, Hungry Blues, which I started over on Typepad’s hosted service in March, 2004.
As of this writing, I have migrated all posts and comments from the Typepad site to this new site, a Wordpress blog installed on my own server space, hosted by TextDrive.
From this point forward, all new blog content will be posted here exclusively.
Because I have moved from a hosted domain (i.e., my old urls include “.typepad.com”) to my own domain (hungryblues.net), existing internal links from one Hungry Blues post to another Hungry Blues post will continue to take you to the pages on the old site. The old Typepad site, will therefore remain open until I complete the process of manually updating all of the internal links on my new site. With over 600 posts on the old site, this is a tedious process that will take some time.
During the transition period, clicking intnernal links to other Hungry Blues posts may take you to my old site. However, comments and trackbacks on the old site are permanently closed. If you want to comment on something you found over there, copy and paste the post title into the search box in the sidebar on this site. The search result should take you to the same post on this site.
Here is a list of things I need to do to complete the migration process and close down the Typepad site:
Manually update all internal links.
Enable trackback pings on all old posts (must also be done manually…).
Move all files (images, audio, etc.) to new site.
Clean up formatting on posts that got mangled during migration.
Replace Quicktime audio players that got stripped from the posts during migration with simple mp3 links and the flash-based player now installed on this site.
Also on the agenda:
On new site, change display template to move post dates from post headers to post footers (I could use some CSS help on this one).
Continue updating the blogroll to reflect current reading habits.
Create stand alone pages for updated versions of the link collections in sidebar of old site.
Tips on how to most efficiently update links and clean up posts are most welcome. (Contact info is here.)
§ Posted by Benjamin T. Greenberg on August 2, 2006 at 9:34 pm
I assume all blog related email is okay to publish, unless you tell me otherwise.
Send me email:
minorjive at gmail dot com
Licensing
Works by Benjamin T. Greenberg (Weblog Author)
All original content of any nature created by Benjamin T. Greenberg and included in this weblog and any related pages, including the weblog’s archives, is licensed under a Creative Commons License.
Works by Paul A. Greenberg
All original content of any nature created by Paul A. Greenberg and included in this weblog and any related pages, including the weblog’s archives, is licensed under a Creative Commons License
Guest authors
A guest author retains all rights to any original content that he or she has created and has included in this weblog and any related pages, including the weblog’s archives.
§ Posted by Benjamin T. Greenberg on July 30, 2006 at 1:49 am
Writer, photographer, researcher, editor and activist.
In 2006 I was guest co-editor for the March/AprilDollars & Sense magazine, a special issue devoted to the Gulf Coast region since Hurricane Katrina. I went on assignment for the magazine to Mississippi and Louisiana at the end of January, 2006.
My current research and writing is focused mainly on Civil Rights Movement history, racial violence in the South and current efforts to seek justice for those crimes.
This blog began in March 2004 as a way to pursue research and writing about my father’s life and times. Studying political history and getting to know some of my father’s contemporaries in the Civil Rights Movement radicalized me politically, and the focus of this blog quickly expanded.
Starting this blog has led me to friendships and political activism with Movement veterans. It has taken me to Mississippi and Alabama. Hungry Blues has led to my current work as a journalist and in internet communications for a human rights organization.
Background
I was born in 1969 when my father was 41. From about age 18 to age 36 (1945-1963) he was directly involved in many of the political struggles that shaped the American left—labor, disarmament, civil rights.
By the time I was born, many of the pursuits and relationships that had so defined my father were drifting into the past. Growing up, I heard bits and pieces of my father’s experiences in politics and on the jazz scene, but he was not one for keeping track of details or keeping chronologies straight. My father’s stories were largely nostalgia pieces, not oral history.
I was born in New York City, but I mostly grew up in Delmar, NY, a suburb of Albany. My neighborhood was pleasant, somewhat conservative, predominantly white, middle-class: a typical bedroom community for people with jobs in state government and at the local universities and colleges. The public high school, which I attended, had only the smallest handful of African-American students or other students of color.
Back at our house, the Reverend Dr. Martin Luther King, Jr. was simply Martin, my dad’s old boss. You could hear stories about New York jazz clubs like Minton’s and the Cafe Society and talk about labor unions, nuclear disarmament, socialism. African American literature and music and civil rights activists were constant reference points. My father’s good friend William Douthard, a Black youth leader in the civil rights struggles of Birmingham, AL and elsewhere in the state, lived with us in our house in the suburbs for some months, when he first moved to Albany in 1978.
When my father died in 1997, I had no command of this history. To commune with him, I started collecting the jazz recordings of Frankie Newton. Collecting recordings led to researching Frankie Newton, which led to learning more about my father’s brief stint in the Communist Party and his introduction to the labor movement in the 1940s. Which led me to learn about Bayard Rustin, disarmament, Civil Rights Movement—and much more.
Everything followed from those Frankie Newton recordings.
Everything followed from a love of jazz and the act of writing.
Epigraph and recording
The name of this blog comes from the title of a song written by Langston Hughes and James P. Johnson for an almost lost jazz opera, called De Organizer. I fell in love with the work of James P. Johnson, one of the creators of jazz piano, through his brilliant collaborations with Frankie Newton on a handful of recordings from 1939.
1939 was also the year that James P. Johnson and His Orchestra made two commercial recordings of “Hungry Blues.” The singer Anna Robinson performs a slightly different improvisation on the lyrics in each recording. The text of the epigraph and the audio (podcast at beginning and end of this page) are from the session on June 15 (the other was on March 9).
Here’s the lineup:
Henry “Red” Allen – trumpet
J. C. Higginbotham – trombone
Gene Sedric – tenor sax
James P. Johnson – piano
Eugene Fields – guitar
Pops Foster – bass
Sid Catlett – drums
Anna Robinson – vocal
Photograph
The photograph in the sidebar is of my father in New York City in 1961.
Folks I've got them hungry blues
And nothin' in this to lose
People tellin' me to choose
Between dyin' and lyin' and
keep on cryin'
Tired of them hungry blues
Listen ain't you heard the news
There's another thing to choose
A brand new world
clean and fine
Where nobody's hungry
And there's no color line
A thing like that's worth
anybody dyin'
I ain't got a thing to lose
But them doggone hungry blues