I want my data to be free, I want to be in control of it and I want to have control over my privacy as well. Is that too much to ask? The watchdog group Privacy International released their annual report today about privacy around the world and put the US in the lowest category – “endemic surveillance societies.” Can we figure out how we can minimize surveillance while balancing privacy and the incredible opportunities that come from making at least some of our data open?
In the background of Marshall’s overview of contemporary privacy issues are discussions of our “post-privacy era.” Chris Messina, who has been involved in developing standards and technologies for handling personal data on the internet, writes:
My somewhat pessimistic view is that privacy is an illusion, and that more and more historic vestiges of so-called privacy are slipping through our fingers with the advent of increasingly ubiquitous and promiscuous technologies, the results of which are not all necessarily bad (take a look at just how captivating the Facebook Newsfeed is!)
Still … there needs to be a robust dialogue about what it means to live in a post-privacy era, and what demands we must place on those companies, governments and institutions that store data about us, about the habits to which we’re prone and about the friends we keep…
I think there needs to be a broader, eyes-wide-open look at who has what data about whom and what they’re doing about — and perhaps more importantly — how the people about whom the data is being collected can get in on the game and get access to this data in the same way you’re guaranteed access and the ability to dispute your credit report. The same thing should be true for web services, the government and anyone else who’s been monitoring you, even if you’ve been sharing that information with them willingly.
The history of the US government’s surveillance of its own citizens says to me that privacy has actually always been an illusion. Old FBI files show the government maintaining decades worth of minutia on people’s affiliations and associations. For example, in close to 1000 pages of FBI documents that I have on the Greater NY Council for a Sane Nuclear Policy in the early 1960s (when my father was the Executive Director), for practically every person mentioned there are lists of political meetings they were known to have attended and organizations they had been members of, often dating back to the 1940s.
I found Jerry Moncaco’s excellent Ghosts of Strikes Past: Class Struggle, Strike Breaking & Blacklisting In Hollywood interesting on a lot of levels. I had not known, for example, about Barbara Stanwyck’s right-leaning, collusion with the anti-communist witch hunters—especially intriguing to me, since my father always claimed his Trotskyite father, whom I’m named after, had an affair with Stanwyck.
But what I’m interested in right now are examples of bad social and political consequences of government maintaining vague and overbroad powers to monitor and collect data on its citizens. The blacklist and the loyalty boards, HUAC and other similar Congressional and state legislative committees all operated on the foundation of US government surveillance of its citizens.
Jerry’s important point about the blacklist is that it
was not primarily used against Communists but against union organizers and militants. Further, the blacklist was not primarily used against writers, actors, and directors, the people we usually read about, but against set-designers, carpenters, painters, lighting-designers, etc. It is convenient for us at this late date to think of Hollywood blacklisting as mainly an activity of the past, and an activity that occurred during a limited period of time during the height of the cold war. This is indeed the case when we talk about stars and other well-known creative talent. The best way to discipline “troublesome” creative talent was to accuse them of being a communist, a homosexual. or a drug addict. Essentially, this was a form of blackmail by the bosses. But carpenters … were not blackmailed in this way. If they were union militants of any type they were simply blacklisted. After the passage of the National Labor Relations Act in 1935 this kind of blacklisting of pro-union employees was illegal, but it was still maintained, and especially advocated by extreme right-wing bosses like those who ran Disney. The blacklist of Hollywood union militants began long before the well-known Hollywood anti-Communist blacklist and lasted for a long time after.
Furthermore, the US government and industrial powers actively supported corrupt, mob-infiltrated unions to undermine militant unions that pursued the legitimate interests of workers. If there are problems with corruption in organized labor, the US government has some responsibility to help fix it. A good start would be to pass new labor laws that reverse the attacks on organizing and enforcement that began long before George Bush came to power.
The historical lesson here is something that every unionist should know. In the post-war period government and management all opposed the threat of militant unions. At this time there were more militant unions than corrupt unions. One way that management opposed militant unions was by red-baiting them. In many cases the unionists who were being red-baited were not communist or even “leftists”. They were simply good union leaders. This was the case with the CSU [Conference of Studio Unions]. Another strategy that management used in opposing militant unions was to find unions that were friendly with management and to promote the interest of those unions over and above the militant unions. A related strategy, and one of the most important, was for management to call in the mobsters and the unions allied with the mobsters. In every case across the U.S. in the post-World War II years – among electrical workers opposing General Electric and Westinghouse, among dock-workers in the east, among Midwestern Teamsters – management and government promoted unions allied with mobsters in order to defeat unions that actually had the worker’s interest as part of their program. The story of Gerald Horne’s “Class Struggle in Hollywood” is the story of how this happened in Los Angeles.
At the end of Ghosts of Strikes Past, Jerry links to a blog post by a blogging acquaintance of mine, Rokhl Kafrissen, which I missed when she first published it, Mechanics of the Blacklist, Part 1. Similar to my discussion of how suspected civil rights activists were targeted for reprisals in Mississippi, Rokhl discusses how the information gathered by loyalty boards and HUAC, through FBI surveillance and unreliable informants, was then used by the American Legion and others to target suspected Communists outside the law.
In 1947, Harry Truman (facing a hostile Congress and other political factors) enacted a piece of legislation which would screen all Federal government employees for ‘loyalty’. One of the grounds for ‘disloyalty’ was membership in a subversive organization. Truman directed that the Attorney General, with the FBI, promulgate a list of subversive organizations for use by the Loyalty Review Board in their determinations. The Attorney General’s List of Subversive Organizations (AGLOSO) came to have far wider import than just its effect on Federal employees….
Once a part of the public record, the AGLOSO was seized upon by groups who believed that the government was not aggressive enough in its efforts to protect the country from the ‘Red Menace’.
There is a vast area of subversive activity still within the law about which neither the FBI nor the Justice Department can do anything. Therefor it remains the civic and patriotic responsibility of individual Americans and their organizations to perform.
(Firing Line magazine, 1949)
Firing Line was a publication of the American Legion. It’s sole purpose was to inform readers about Communism, and one aspect of that mission was publishing the names and activities of people whom they believed to be Communists. One of the sources for their information was lists like the AGLOSO. Another source was the House Un-American Activities Committee (HUAC). In addition to the Federal HUAC, 13 state legislatures had their own HUACS. Those, too, were combed for information to be published in Firing Line….
[T]he American Legion, and the hundreds of other members of the army of anti-communist vigilantes, had no use for our Constitutional due process protections.
§ Posted by Benjamin T. Greenberg on January 12, 2008 at 10:47 am
Folks I've got them hungry blues
And nothin' in this to lose
People tellin' me to choose
Between dyin' and lyin' and
keep on cryin'
Tired of them hungry blues
Listen ain't you heard the news
There's another thing to choose
A brand new world
clean and fine
Where nobody's hungry
And there's no color line
A thing like that's worth
anybody dyin'
I ain't got a thing to lose
But them doggone hungry blues